Canon 6d mark ii sample images flickr
In a technical blog I compare the new Canon 6D Mark II camera with its predecessor, the Canon 6D, with the focus on performance for nightscape astrophotography. Eventually it will sell for less.
However, the new Mark II offers x pixels for 26 megapixels, a bump up in resolution over the x megapixel 6D. The pixel pitch of the Mark II sensor is 5. One difference is that the port for a remote release is now on the front, but using the same solid 3-pin N3 connector as the 6D and other full-frame Canons.
That makes it compatible with all external controllers for time-lapse shooting. I have no interest in auto-focus performance we shoot at night with focus set manuallynor how well a camera works for high-speed sports shooting. To test the Mark II against the original 6D I took test shots at the same time of a high-contrast moonlit scene in the backyard, using a range of ISO speeds typical of nightscape scenes.
The key characteristic of interest for night work is noise. How well does the camera suppress the noise inherent in digital images when the signal is boosted to the high ISO settings we typically use? In all cases, no noise reduction was applied in later processing, so the results do look worse than what processed images would.
Click or tap on all images to expand each image to full screen for closer inspection. This set shows the same range of ISOs with the original 6D.
Exposures were halved for each successive bump up in ISO speed, to ensure equally exposed images. Comparing the sets, the 6D MkII shows a much greater tendency to exhibit a magenta cast in the shadows at very high ISOs, plus a lower contrast in the shadows at increasing ISOs, and slightly more luminance noise than the 6D.
Yes, the MkII has a higher pixel count and therefore smaller pixels 5. But in the past, advances to the in-camera signal processing has prevented noise from becoming worse, despite increasing pixel count, or has even produced an improvement in noise. Instead, not only is there no noise improvement, the performance is worse.Atlantis bahamas google maps
In the previous sets all the images were well-exposed, as best they could be for such a contrasty scene captured with a single exposure. What happens when Raw images are underexposed, then boosted later in exposure value in processing? Bringing out detail in the shadows later requires a lot of Shadow Recovery or increasing the Exposure.
How well will the image withstand that work on the shadows? This set above shows the results from the 6D Mark II. Boosting underexposed shadows reveals a lot of noise and a severe magenta cast.
These are all processed with Adobe Camera Raw, identical to the development engine in Adobe Lightroom. This set above shows the results from the 6D. Underexposed shadows show less noise and discolouration in the 6D. Canon blog from The Nikon performs much better than the 6D. Effectively, this is the lack of dynamic range that others are reporting when testing the 6D MkII on more normal daytime images.
It really rears its ugly head in nightscapes. The lesson here is that the Mark II needs to be properly exposed as much as possible. This is the function that, when turned on, forces the camera to take and internally subtract a dark frame — an image of just the noise — reducing thermal noise and discolouration in the shadows.
A unique feature of Canon full-frame cameras is that when LENR is on you can take several exposures in quick succession before the dark frame kicks in and locks up the camera. This is extremely useful for deep-sky shooting.
My next thought was that Adobe Camera Raw, while it was reading the Mark II files fine, might not have been de-Bayering or developing them properly. Yes, DPP did do a better job at eliminating the ugly magenta cast, but did a much worse job at reducing overall noise.
DPP shows a lot of blockiness, detail loss, and artifacts left by the noise reduction. A new feature the 6D Mark II offers is the ability to shoot and stack images in-camera. So the 6D MkII is not unique.Not only that but the burst depth has also been improved, with the new camera capable of shooting 21 raw files in succession compared to its predecessor's There are actually two auto white balance options: Ambient Priority mode delivers slightly warmer results, helping you retain the overall ambience of the scene, while White Priority can deliver clean, neutral results even under artificial lighting.
Full-size sample photos from Canon EOS 6D Mark II
This is great news for those shooting indoors, perhaps events or sports, where such lighting is commonly used. Battery life is very good, with the LP-E6N unit rated for up to 1, shots. Over the course of two days of extensive shooting the 6D Mark II's battery status bar hardly budged. Raw files compare well to images from the EOS 5D Mark III, although we'd have expected things to have improved somewhat given the five-year gap in technology. Results at ISO hold up well, with minimal signs of noise, while results at ISO are pretty good too; there are certainly signs of luminance noise at this sensitivity, but surprisingly little chroma noise color speckling.
Beyond that, while both luminance and chroma noise become more pronounced, at ISO12, and with some post-processing it's still possible to get a satisfactory result, with a decent amount of detail; we'd probably avoid going any higher than that unless absolutely necessary. Dynamic range is an area where Canon DSLRs have lagged behind a bit compared to rival cameras from Nikon and Sony, so there was a certain amount of expectation placed on the new However, while it's possible to recover a good bit of lost detail as abovenoise is much more noticeable compared to a similar image from a Nikon D when you look closely.
And what's more disappointing is the fact that the Current page: Performance and image quality. Please deactivate your ad blocker in order to see our subscription offer. Home Reviews Cameras. Introduction and key features Build, handling and AF Performance and image quality Verdict and competition.
Performance 6. The full-frame At ISO, results hold up pretty well considering the sensitivity Dynamic range is an area where Canon DSLRs have lagged behind a bit compared to rival cameras from Nikon and Sony, so there was a certain amount of expectation placed on the new Image 1 of 2 This is the unprocessed raw file…. Image 2 of Save Cancel Drag to set position!
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Testing the Canon 6D Mark II for Nightscapes
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Gallery of Canon EOS RP Sample Images (RAW & SOOC JPGs)
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This limited warranty gives you specific legal rights, and you may also have other rights, which vary from state to state or province to province in Canada. Canon offers a wide range of compatible supplies and accessories that can enhance your user experience with you EOS 6D Mark II that you can purchase direct.
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Rechargeable lithium-ion battery. Combine the CB with the CG Battery Charger and charge your batteries directly from your car for the ultimate in power supply convenience. The camera Backpack EDC-1 is an all-purpose bag designed to hold a combination of cameras, lenses and accessories for your needs. It can accommodate your mirrorless, DSLR camera or PowerShot camera along with a variety of additional resources, and even multiple cameras and lenses in some cases, depending on their size.
Its padding protects against falls to keep your equipment safe, while its adjustable padded shoulder straps provide comfort for extended periods of time. The EDC-1 also features a rain cover to further protect your equipment from outside weather conditions such as rain and snow, as well as protect your bag from wear and tear. The Dioptric Adjustment Lens provides near- and far-sighted users a clear viewfinder image without the use of eyeglasses.Remember, you can always use our Comparometer to compare the Canon R to any camera we've tested.Ingquza yami
All cameras in this comparison were shot with our very sharp reference lenses. Clicking any crop will take you to a carrier page where you can click once again to access the full resolution image as delivered straight from the camera. And remember, you can always go to our world-renowned Comparometer to compare the Canon EOS R to any camera we've ever tested!
As you can see, default image quality at base ISO has improved somewhat, as Canon has increased sharpening strength a notch while at the same time sharpening finer detail and reducing the width of sharpening haloes. More of the individual thread patterns in our notorious red-leaf swatch are now visible, while on the 5D IV the rendering of fabrics is smoother with less detail. Contrast appears a little higher from the EOS R as well.
Comparing raw images with no sharpening applied, it appears the new Canon RF 50mm lens may be a tiny bit sharper and contrastier than the Sigma 70mm we used for the 5D IV, but not by as much as is shown in the JPEGs. Colors look very similar, though reds appear to be a little more saturated from the EOS R.
As you can see, the megapixel EOS R does resolve a bit more detail, while sharpness and contrast are improved for the same reasons mentioned previously. Luminance noise levels do appear a little higher from the EOS R in flatter areas, though, so it'll be interesting to see how they compare at high ISOs below.
The EOS R does resolve more fine detail than the Fuji thanks to its higher resolution as well as its Bayer color filter. Luminance noise is lower from the EOS R as well. The X-T3 image appears just a little crisper yet both appear to apply similar levels of sharpening, but keep in mind the X-T3 has no image softening anti-aliasing filter.
Colors are warmer from the Fuji, and overall contrast is lower as well. As you can see, the EOS R does resolve slightly more detail thanks to its higher pixel count. The Nikon image is crisper and more contrasty, but sharpening haloes are more visible as well. We suspect the filter on the Nikon is a little weaker than the Canon's.
Colors are more vibrant and punchy from the Nikon though generally warmer, while noise levels in flatter areas appear lower. Once again, the Canon has a resolution advantage, though perhaps not as much as the relative pixel counts would imply, as the Sony's AA filter is either very weak or nonexistent Sony has been quite coy about stating whether the A7 III has an AA filter or not.
And despite the improvements in the Canon's default sharpening, the Sony still produces a crisper image while keeping sharpening haloes to a minimum. Here at ISOwe see improved detail retention from the EOS R's revised standard processing, but luminance noise appears to be a little higher as a result. However, keep in mind you can always set the two cameras to use the same sharpening parameters defaults used here which should yield very similar results.
The EOS R's slight resolution advantage and improved default processing are still evident here at ISObut as expected, luminance noise is higher as well. Here at ISOthe EOS R still manages to hold onto more detail than the Z6 while producing similar noise levels, however the Nikon produces a crisper, more vibrant and contrasty image, but with more noticeable sharpening haloes as well.
Fine detail is much better from the Sony as well, despite the slightly lower resolution.Canon 6D Mark II Review! WATCH BEFORE YOU BUY!
Noise levels in flatter areas are higher from the Sony, though, and the "grain" pattern is a little less consistent and natural than the Canon's.Initial impressions point to a capable, well-rounded full-frame camera with controls and handling nearly identical to that of the Canon 80D.
In the field the camera's AF coverage feels small compared to the 80D, though the Live View shooting experience is the same: excellent.
We'll be adding to this gallery more as we work toward posting the review. What drives me nuts is that these galleries are always just street snaps. Take it to Olympic Park and shoot Rialto Beach at sunrise. Shoot Sol Duc Falls. Shoot a night time seascape under the stars.
Canon EOS 6D Mark II Sample Images
Shoot the space needle at night. Shoot portraits under bad lighting and good lighting. Shoot studio portraits. Show night scene RAW processing.Cefsharp
It's like taking the Sony a9 and shooting flowers with it instead of fast motion. Shoot what the camera was built for and compare and comment on those images.
If you're going to put a camera through its paces, put it through its paces. If a camera is supposed to be a sports camera, don't take pictures of a rock. Wow, massive improvements in the color department, I must say.
This looks like the good old Canon colors are back. Fuji is still king, but this is good Many images look so soft that there is little room for cropping.
The colors are fantastic. Great shots and thanks for posting. Great color, great sharpness, great high ISO performance. And whole 1,5 pictures suffered from the lack of DR became little noisy. But, anyway, this camera is a worthless outdated piece of crap. And nobody is gonna buy it. What you're saying is: "My new car has such a pretty paint job, I don't care it has no headlights, and I don't see anything in the dark" :. As the British say: "Good on you, mate" : :.
I can make other camera's colours look like Canon in a second or two.These niggles dull what is otherwise a very nice full-frame DSLR that's a pleasure to shoot with.
It will certainly please Canon users looking to make the move into full-frame photography, but others might be better served elsewhere. While it lacked some of the more desirable features found on Canon's pricier models further up the range, it offered users a pretty affordable way into full-frame photography. In the five years between the launch of the original 6D and its successor ina lot had changed, with not only Nikon offering some very tempting competition in the shape of the D and Dbut Sony's Alpha A7 and A7 II offering another affordable route into full-frame photography.
While the viewfinder may seem like a minor improvement, the rear display is quite a different story. No longer sitting flush to the body as it did on the EOS 6D, the 3. The expected trio of connectivity options — Wi-Fi, NFC and Bluetooth — are available, with the latter being a low-energy connection, meaning you can always be connected to the camera and enabling the rapid remote transfer of images from your camera to a compatible smart device. Also on-board is Canon's five-axis digital image stabilization for hand-held video recording.
Designed to work with video but not stills, the system works in conjunction with the brand's IS-equipped lenses. That's an improvement on the 30p offered by the EOS 6D, but we're sure some people will be scratching their heads trying to work out why 4K capture has been left off the EOS 6D Mark II — especially as this is an area where Canon has excelled at in the past. There is a 4K timelapse option however, which stitches images together into a 4K-resolution video. There's also a microphone input, although there's no headphone socket if you wish to monitor audio.
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